Writers Abroad Magazine Issue 1 | Page 30

WRITERS ABROAD MAGAZINE Q. Who is the audience for your writing and how much of it is local? Include other writers and writers groups. The local Newcastle Writers Group is an immediate audience, but others would include the WA group and of course the online network community. I’d say the local to international ratio is about 30% - 70%. Q. Describe a typical day in your life in Australia including your writing routine. I go through stints of up to a month where I barely write anything — usually due to children’s holidays. Otherwise, I write when my partner goes to work. As he’s a shift worker that could be any time of the day of night, so you could find me tapping away at three in the morning or three in the afternoon. We have five children or no children on alternate weeks, so the rhythm of life goes in very distinct cycles. While the kids are here it’s hard to put in five hours of writing and meet all their needs and I frequently fail. The motto is definitely carpe diem: if opportunities aren’t taken they don’t come back, so I write when I can. Q. What is your degree of ‘comfort' with Australia? Has it changed over time? If so, have you noticed changes in your writing which reflect this? Australia isn’t a vastly different culture to British —at least not like the difference between a European and an Asian country. The same language is spoken and even the dominant religion is the same. In a nation where 60% of the population cite nonAustralian backgrounds, being ‘foreign’ is an accepted part of life. How individuals fit in with this is another matter. It’s a country that has a lot to offer and discover. Q. What are the advantages of living in Australia for a writer? Acceptance of actually being a writer is, as mentioned, good. I’m not sure there are specific advantages otherwise. 30 | S e p t 2 0 1 4