Tone Report Weekly Issue 69 | Page 38

SOLIDGOLD FX IMPERIAL FUZZ BC183 REVIEW BY DAVID A. EVANS STREET PRICE $175.00 SolidGoldFX’s new Imperial fuzz pedal has a menacing appearance—it’s almost as if it were a long, black Cadillac driven by mysterious men in black. It might appear, suddenly on your pedalboard, perhaps after a disturbing encounter with another, lesser fuzz pedal. And like those shiny, black Cadillacs piloted by men in black, the Imperial might make you forget about other fuzz pedals for the moment. It will truly be the Emperor of the land of fuzz, or at least the King of your pedalboard. 38 GEAR REVIEW // The Imperial excels at producing thick, compressed-sounding fuzz. The Imperial also sounds big, perhaps as big as the empire of fuzz the pedal’s name suggests. To get an idea of this sound, simply imagine Billy Corgan’s distorted tone in songs such as “Mayonaise” or “Hummer.” It’s as if those particularly loud and low notes push the circuitry to its limits. The pedal seemed to even out dynamic changes of this writer’s playing, although not to as large a degree as an actual compression SolidGoldFX Imperial Fuzz BC183 effect might have done. The Tone knob features a surprisingly smooth taper. The knob allowed for pleasingly minute transitions from, say, a more “neutral” equalization setting to a brighter or darker one. As for the sound itself, the highs are definitely bright and tight and also take on a pleasing electro-sizzle thinness. In practice, the noon position seemed ideal for most chording and single-note work. The Imperial demonstrated a pleasing evenness of transition between the darker tones and the