Tone Report Weekly 173 | Page 42

specifi cally a track like “Unity Dub” from Bad Brains’ Live at CBGB 1982. There are many chorus, vibe (or both simultaneously) pedals that will get these tones, but I like Mr. Black’s Double Chorus for its lushness and elegant simplicity, and the EarthQuaker Sea Machine for its haunting, otherworldly luster. Innovation dub The beauty of dub is that its very existence is predicated on sonic innovation. It is fully expected then that the dub instrumentalist will actively strive to create new sounds and textures in the context of the music. For the sonically adventurous guitarist, this can be an inspiring vehicle for effects experimentation well beyond what is traditional and assumed. As such, anything from synth pedals and harmonizers to EQ, OD, fuzz and distortion pedals might potentially fi nd use in a dub performance. Modern artists are pushing the genre ever forward into unexplored territory, where any sound found might potentially be of use. Try everything. “The beauty of dub is that its very existence is predicated on sonic innovation.” FINALLY AVAILABLE ON EARTH THE SATELLITE FROM MAGNETIC EFFECTS