The Cone Issue #8 Winter 2016 | Page 33

Let's start at the beginning - in what year did the band form?? I am sure each member has their own artists that inspire or influence them, but as a band what are the groups that inspire Bayonics as a whole? The band started back in 2001. Our inspirations range from Sly and The Family Stone, Tower of Power, Santana, Funkadelic, James Brown, Too Short, Steel Pulse, The Wailers and Stevie Wonder. Putting a band together is a challenge and even harder to keep together, so who or what was the catalyst that gave birth to Bayonics? How does San Francisco influence the music that the band creates? The catalyst was our salsa band called Mala Fama. We met & formed at San Francisco State. A few core members of Mala Fama would stay after rehearsals to compose original music that blended our varied influences. We are based out of the Mission district which is historic for a Latin fusion sound, and of course different neighborhoods have their own specific sound when it comes to funk, soul and hip-hop. Where we are from has a heavy influence on the concept and direction of our music. Was it always the intention to do the mixture of genres that you perform, the Latin, Reggae, Hip-Hop blend? Are the lyrics of a song a collaborative effort from all band members or are they're key members who write more of the material? From the beginning we intended to create music that represented our multi-cultural region of the Bay Area. Latin, Funk, Reggae and anything that has a dirty and funky sound to it. Our new direction however has been just Latin/Reggae. The writing process usually starts with a few band members who build a skeleton of a song, then bring it into the rehearsal studio. From there, we start arranging as a collective. Has having so many songs with very different sounds effect how the band is received by the industry, if not some of the audience? Does the band keep a rigorous rehearsal schedule? Our musical genres vary and so does our appeal. On the positive side, we reach a lot of different types of people, and almost anyone can find something they identify with in our music. But, it can be a challenge to market ourselves. PR agencies, talent buyers, and booking agencies sometimes don't know how to position us. The industry has an easier time when you fit neatly into a category. We've been rehearsing every Tuesday night for the last 15 years. We also rehearse Wednesday nights as a rhythm section. Usually after rehearsals the lead singer and one of the producers will stay late to record and develop our ideas. 33 THE CONE - ISSUE #8 - WINTER 2016