Signature Stories Issue 13 | Page 22

PUZZL EP I ECES Test your knowledge of Signature’s Residency One Program! 1 16 9 13 19 5 7 15 12 6 3 4 8 14 18 17 2 10 Valid one per person, for one-time use only. 11 ACROSS 2. Signature’s 2003-04 playwright-inresidence described his collaboration with David Shiner as “a semi-improv process where one of us does something and the other goes, ‘oh yeah…well, what about THIS?’” 3. This beloved son of Wharton, Texas was honored with a “marathon” production of his epic The Orphans’ Home Cycle during the 2009-10 Season. 4. Signature celebrated its 20th Anniversary with a season honoring this playwright, whose two-part masterwork is subtitled “A Gay Fantasia on National Themes.” 7. Born eight years apart (one in Pittsburgh, Pennsylvania and one in Lebanon, Missouri), these are the only two Signature playwrights to share a surname. 9. This playwright, born 100 years ago this October, said he was inspired to become a writer after reading Dostoevsky’s The Brothers Karamazov in high school. 10. Speaking about his play Six Degrees of Separation, this writer said, 26 2121 “During a run, the playwright feels like the mayor of a small town filled with noble creatures who have to get out there and make it brand new every night....it’s unlike any other joy in the world.” 11. This current Residency One playwright often utilizes his hometown of Buffalo, New York, in his plays. 12. During the 2008-09 Season, Signature honored this historic company, led by Douglas Turner Ward, and presented works by Charles Fuller, Leslie Lee, and Samm-Art Williams. 14. Signature has huge affection for this 2007-08 playwright-in-residence, who returned in 2015 to stage Big Love with longtime collaborator Tina Landau. 16. As Signature’s playwright-inresidence during the Inaugural Season in The Pershing Square Signature Center in 2012, this writer brought stories of his native South Africa to New York audiences. 18. This multi-talented playwright was nominated for an Academy Award for Best Supporting Actor for his role in the film The Right Stuff. Bring your completed puzzle to the Signature Café & Bar and receive a free Signature cocktail! DOWN 1. This MacArthur “Genius” Grant recipient joined the Signature family in the 2014-15 Season, and she often utilizes poetry as inspiration for her play titles. 5. Heralded as one of the boldest writers in theatre, this playwright was honored at the 2008 Obie Awards with a Lifetime Achievement Award. Her first Obie Award came in 1964 for her seminal work Funnyhouse of a Negro. 6. A renowned professor of playwriting, this 200405 Signature writer counts Residency Five playwright Quiara Alegría Hudes among her students. 8. Signature’s first playwright-in-residence, and the namesake of one of the theatres in The Pershing Square Signature Center. 13. “Three” is the lucky number for this three-time Pulitzer Prize-winner who was also Signature’s third playwright-in-residence. 15. Artistic Director James Houghton directed this playwright’s Two Rooms during Signature’s second season. 17. This 2013-14 Signature playwright-inresidence’s work The Dance and the Railroad toured to Wuzhen, China, making it Signature’s first international production. 19. Born in Havana, this nine-time Obie winner had her play Letters from Cuba produced during Signature’s 1999-2000 Season. Early in 1991 I got a call one night from Jim Houghton. He had contacted me not long before and had asked me to play the title role in Romulus Linney‘s wonderful play, The Sorrows of Frederick. Jim wanted, of course, to build a theatre which would devote an entire season to one writer, and the playwright he had decided to start with was Romulus Linney. Right away I was on Jim’s side. I’d always thought Romulus was one of the great writers of the American theatre, and the idea that a little theatre on Bond Street, New York would be bombarded by his plays for an entire season, in all their scarcely imaginable variety, seemed to be inspired and generous and necessary to the point of exhilaration. These adjectives, I very soon came to see, could all \H