SciArt Magazine - All Issues February 2016 | Page 26

Images courtesy of Imagine Science Films. manipulate information or appeal to emotions for various causes, which can sometimes obstruct the objective scientific process.” This can be observed in the many blockbusters that sensationalize science in order to provoke fear or glorify lab work. CSI shows are a great example of this, where scientists wearing high–heeled shoes flirt over cadavers. While it is cool to see science get a mainstream spotlight, the negative effects of misinformation resound throughout the community. With a field as intimidating to the greater public as science, it is important to have accurate information made easily accessible. True to their purpose, ISF gets really excited about lab work and research. By using film to help scientists share discoveries in a more creative way, ISF actively seeks to widen the appreciation of not only science, but also the seemingly tedious, day–to–day work that builds scientific advances. To do so, they developed The Lab, which consists of three parts: consulting services for scientists interested in using film to share their stories; a soon–to–launch Student Film Lab that will help high school students learn about science through filmmaking (and vice versa); and Scenes, a collection of mesmerizing short videos that showcase awe–inspiring moments of research. An online component, Scenes invites scientists to submit short works and share what ISF describes as “the beauty of raw science data,” that isn’t fit to share in a proper journal, either because it is preliminary or because it is not deemed meaningful. Scenes is filled with visually captivating data such as Xenopus embryo development and Fluorescent Oscillations in a bacterial population. No longer solely coveted by those wearing lab coats, curious artists and admirers can find inspiration and understanding from these research ‘clippings’. Additional film experiments take place at every ISF festival, both in New York and Abu Dhabi, like the 48– Hour Film Competition. Scientists are partnered with filmmakers and given two days to complete a short film that addresses the theme of the festival. Together the 26 experts from these two fields must figure out what story they want to tell and how to tell it, often with fascinating results. What’s interesting is that it’s often the filmmakers who are most altered by the experience of creating work with a science advisor rather than the other way around. Whereas scientists learn a great deal fro