Sacred Places Fall 2010 | Page 15

GG: When did you realize that you were interested in architecture and art? GG: So let’s move to the international part. The caliber of architecture you like, Paris, Rome… RD: As a young lad, I was a newspaper boy, and so I had a route from [the west side of] Racine to the east side of Loomis. And in delivering newspapers, you began to see differences in the types of residences. We lived in a bungalow. A bungalow is a very functional building. And so by delivering papers and going past all these homes, you’d see that other ones were more interesting, some could be more like an English Tudor style, some could be, maybe not Victorian, but more set back, front porches, and others might have more a French type of look. I think it was the shape and the form and the extra artistic work, rather than the function work that made me, I responded to that. RD: I like Paris because it is a beautiful planned city. It has orchestrated beauty, axes, and focal points. The city has consistent order and balance. Rome has more ancient architecture, which is beautiful! There was better planning then because everyone knew where to gather. Take the Coliseum. GG: I know you are a proud Chicagoan. RD: I love Chicago…I grew up in Chi