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educate preschoolers, we encounter a multitude of educational segments that appeal to individuals of nearly any age. Although I believe this article to be concise in terms of addressing productive parody within the pastiche format of a children’s television show, there is room for original research to combine educational scholars and childhood psychologists with visual arts scholars and postmodern theorists. A bit of imagination and creativity should take it from there. University of Central Florida Marci Mazzarotto Works Cited Fisch, Shalom M. Children’s Learning from Educational Television: Sesame Street and Beyond. Mahwah, NJ: L. Erlbaum Associates, 2004. Print Hoesterey, Ingeborg. “Postmodern Pastiche: A Critical Aesthetic.” The Centennial Review 39.3 (1995): 493-510. Web. 16 Oct 2012. Hutcheon, Linda. The Politics o f Postmodernism. London: Routledge, 1989. Print Hutcheon, Linda. A Theory o f Parody: The Teachings o f Twentieth-Century Art Forms. Urbana: University of Illinois Press, 2000. Print. Jameson, Fredric. Postmodernism, Or, the Cultural Logic o f Late Capitalism. Durham: Duke University Press, 1991. Print. Lesser, Gerald S. Children and Television: Lessons from Sesame Street New York: Random House, 1974. Print Powel, Jim. Postmodernism for Beginners. Danbury, CT: For Beginners LLC, 1998. Print Sesame Street: Old School 1969-1974, Volume 1. Sesame Workshop. Sony Wonder, 2006. DVD. Wind It Up. Gwen Stefani. Online video. YouTube. Web 12 Oct 2012. 76