Popular Culture Review Vol. 25, No. 1, Winter 2014 | Page 66

62 Popular Culture Review having taken over the traditional church authority because the traditional Judeo-Christian church has failed to address the ways in which magic influences reality. This series’ success shows the interest readers hold in an alternative to Christian truths. Yet, even in this dystopic world, the church Kane portrays still works to ensure—^through the use of magic— that the souls of mankind are guided to eternal bliss or hell. This interest in magic is further shown in Jim Butcher’s Dresden Files series, where wizards are called in to mediate the evil that humans caimot explain. Rather than eliminating the power of the church, the world according to the Dresden Files includes beings who have taken on a mission to save mortal men and women from evils that are not recognized by traditional Judeo-Christian faiths. In this way, these novels work within the same social and religious structures, but operate on a level that traditional churches do not recognize as valid. A revival of interest in the fey is clearly reflected in Karen Marie Moning’s Fever series, where the fate of the earth rests on the protagonist Mackayla Lane’s ability to navigate the mysterious world of the evil Sidhe who are attempting to take over the earth. This search for answers beyond those provided by scientists and religious scholars is clear in these kinds of novels. In an age where self-help and self actualization, through inward introspective analysis, have become popularized through television programs such as the Dr. Phil show, paranormal creatures are no longer viewed as mere beasts to prey on humans. Instead, these characters, too, agonize over their own fate, their own weaknesses and strengths, and how to be solid, good citizens worthy of love, despite their differences to humans. As Adam Barrows states, “Stoker’s greatest innovation ... was his use of the vampire story to explore deeper metaphysical questions about the true nature of humanity. Far from representing the vampire as a coldly grotesque monster. Stoker explored the pathos and psychological terror of a human being, with a core of goodness, becoming trapped inside a godless and eternally Undead body” (107-108). In the same way, modern-day paranormal characters struggle over their “unhuman” natures through discipline, choosing to improve their psyches so they no longer have to isolate themselves from humans. In many series, paranormal characters who break away from others do so to become more humanlike, or at least more humane. This search for humanity, or the quest for good in a world where evil exists, is one that humans have been struggling with, making it a trait with which readers can empathize. In observing these parallels to the values that Western society