Popular Culture Review Vol. 25, No. 1, Winter 2014 | Page 44

40 Popular Culture Review attract large and appreciative audiences. In addition to the resurgence of interest in Japan, many non-Japanese, especially in the West, have become interested in and wear kimono. Both before and after World War II, most Americans were aware of the kimono primarily as the inspiration for the front-wrap bathrobe, the exotic attire of a “shady lady” or a beautiful and novel gift from a friend or family member returning from deployment or travel in East Asia. However, in some American, Australian and European subcultures there is a growing interest in the kimono, both as attire and as a source of inspiration for art, fashion and decoration. These developments are evident in a number of contemporary subcultures including: collectors, cosplayers and reenactors; street fashion (the latter two examples are both closely related to anime, manga and the J Pop-Japanese popular culture-phenomenon); high fashion and students of Japanese traditional arts such as chado (the tea ceremony), martial arts and dance. In addition to these groups many artists and designers have been strongly influenced by the kimono or other forms of traditional Japanese attire. Although these groups have widely diverse interests and foci, there are certain common threads in American kimono culture. Many modem kimono display a whimsical blend of traditional Japanese and pop culture elements such as Walt Disney, Star Wars and Hello Kitty. Kimono wearers do not seem to be determined by age, as kimono and related items are worn by men and women of all ages. While many kimono are worn by individuals involved in cos play activities, others wear kimono as an expression of cultural or ethnic identity, such as Japanese immigrants or the descendents of earlier Japanese immigrants. The internet and the rise of social media has greatly facilitated many of these developments and it is now possible to find groups like the East Coast Kimono Club and Western Geisha on Facebook. In addition, many people regularly publish blogs documenting their kimono experiences. For many collectors, reactors and devotees of traditional arts, some of knowledge of the history of the kimono is vital to their activities. The literal meaning of the word, kimono, is “thing to wear.”'* The inspiration for the earliest kimono probably came from China. Wrapfront garments with rectangular sleeves had been worn by the Chinese since the Han Dynasty (200 B.C.E. - 200 C.E.). Since the period of the Sui and Tang dynasties was a fertile period of cultural transmission between China and the rest of East Asia, it is thought that the prototype for the kimono was borrowed from China along with innovations in writing, poetry and art.^ The wide sleeves and wrap-around design may