Popular Culture Review Vol. 23, No. 2, Summer 2012 | Page 35

Philosophical Reflections on the Age of Ephemera 31 electrical engineer, information occurs in a context, and it transpires serially, i.e., in time. It is a human activity—an exchange between two points. A communicative act that is expected is not as informative as one that surprises us. For example, as we are reading, a letter “u” that follows a “q” adds little—we were expecting that. Someone interested in the compression of transmitted data, as Shannon certainly was, would say that the “u” was dispensable with little degradation to the message. Of course, the “u” is only dispensable against a background of written English, which is a code shared by the sender and the receiver—Shannon was also a cryptographer—but the point was that “about 50%” of a given transmitted message is superfluous.17 It can be omitted from the message with little degradation in meaning. Information can be compressed. Ambiguity can be reduced—in the transmission, if not in the language itself. Analog information can be reduced to binary packets and stored and transmitted more efficiently and accurately. These mechanical improvements in the medium of communication are important to us for two reasons: they greatly increase the speed with which we access or exchange information (this is not a trivial point); and they greatly improve our ability to duplicate information (and this is also not trivial). Speed is not trivial because it changes the content of information. Gleick quotes Heinz von Foerster, at an early cybernetics conference, complaining that information theory is all about the “beep beeps” of communication: bandwidth, compression, noise reduction.18 He was concerned that all these theories about the transmission of information had little to say about the value of the information. But this is a naive view of information (i.e., thinking that what information is carried is independent of the means of carrying the message). Letters of the nineteenth century were florid and full of politeness, while the telegraph required a functional frankness. One would not try to discuss feelings by telegraph, nor would the latest stock reports be transmitted in a lengthy letter. The one was too fast, the other too slow. There was an overlap of users of the two technologies, so we know that the difference is not the result of historical changes in communication style or substance. We should not be surprised, then, that geometric increases in speed of communication, as well as the changing loci of communication—we now communicate everywhere, even while on the toilet—would have an effect on the style and substance of communication overall. Convenience is a harsh taskmaster. Easy duplication is not trivial because it used to be hard—transcription is an issue for analog transmission in a way that it is not for digital transmission. For example, the quality of an analog magnetic signal degrades across a long copper wire—a problem for Claude Shannon—as does the continuous groove of a vinyl LP over successive plays. As such, the quality of the transcription is a concern, and a high quality transcription has value. A very clear recording, for instance, was something highly prized. This emphasis on clarity bled over into the digital age, so that the first CD I ever heard—it was, in fact, a demonstration CD, featuring the sound of a passenger jet passing overhead—was so clear, so