20
Popular Culture Review
14 Aebischer, Pascale. “Black Rams Tupping White Ewes: Race vs. Gender in the Final
Scene of Six Othellos”. Retrovisions: Reinventing the Past in Film and Fiction. Eds.
Deborah Cartmell, I.Q. Hunter, and Imelda Whelehan. (Sterling, VA: Pluto Press, 2001).
pp. 59-74.
* Ibid. pg. 60.
16 Newman, Karen. “‘And wash the Ethiop white’: femininity and the monstrous in
Othello”. Shakespeare Reproduced: The Text in History and Ideology. Eds. Jean E.
Howard and Marion F. O ’Connor. (New York: Mentheun, 1987) pp. 143-162.
Works Cited
Aebischer, Pascale. “Black Rams Tupping White Ewes: Race vs. Gender in the Final
Scene of Six Othellos”. Retrovisions: Reinventing the Past in Film and Fiction. Eds.
Deborah Cartmell, I.Q. Hunter, and Imelda Whelehan. (Sterling, VA: Pluto Press,
2001). pp. 59-74.
Bjorkland, Dennis. Toasting Cheers. (Jefferson, NC: McFarland & Co., 1997).
Brown, Robert S. “Cheers: Searching for the Ideal Public Sphere in the Ideal Public
Space”. The Sitcom Reader: America Viewed and Skewed. Eds. Mary M. Dalton and
Laura R. Linder. (Albany: State University of New York Press, 2005).
Bryant, Howard. Shut Out: A Story o f Race and Baseball in Boston. (New York:
Routledge, 2002).
Burt, Richard, ed. Shakespeares After Shakespeare: An Encyclopedia o f the Bard in Mass
Media and Popular Culture. (Westport, CT: Greenwood Press, 2007). 2 volumes.
Formisano, Ronald P. Boston Against Busing: Race, Class, and Ethnicity in 1960s and
1970s. (Chapel Hill: University of North Carolina Press, 1991).
Howard, Tony. “Shakespeare’s Cinematic Offshoots.” The Cambridge Companion to
Shakespeare on Film. 2nd Edition. Ed. Russel Jackson. (Cambridge: Cambridge UP,
2007).
Lanier, Douglas. Shakespeare and Modern Popular Culture. (Oxford: Oxford UP, 2002).
Newman, Karen. “‘And wash the Ethiop white’: femininity and the monstrous in
Othello.” Shakespeare Reproduced: The Text in History and Ideology. Eds. Jean E.
Howard and Marion F. O’Connor. (New York: Mentheun, 1987) pp. 143-162.
Pechter, Edward. Othello and Interpretive Traditons. (Iowa City: University of Iowa
Press, 1999).
Potter, Lois. Shakespeare in Performance: Othello. (Manchester: Manchester UP, 2002).
Rippy, Marguerite Hailey. “All Our Othellos: Black Monsters and White Masks on the
American Screen.” Spectacular Shakespeare: Critical Theory and Popular Cinema.
Eds. Courtney Lehmann and Lisa S. Starks. (Madison, WI: Farleigh Dickinson
University Press, 2002).
Vaughan, Virginia Mason. Performing Blackness on English Stages, 1500-1800.
(Cambridge: Cambridge UP, 2005).
Films Cited
A Double Life. Directed by George Cukor, lhr. 43 min. Universal Intemational/Kanin
Productions, 1947. DVD.
“Diane’s Perfect Date.” Directed by James Burrows. 23 min. Paramount Television.
Cheers: The Complete First Season DVD Disc 3.
“Homicidal Ham.” Directed by James Burrows. 23 min. Paramount Television. Cheers:
The Complete Second Season DVD Disc 1.