Popular Culture Review Vol. 20, No. 2, Summer 2009 | Page 84

80 Popular Culture Review Stability,” “Providing & Disposing,” “Abstraction & Extraction,” and “Scraping & Sprawling.” Throughout, the thoughtful reader can find innumerable ways to look at and learn from Las Vegas—but not necessarily to celebrate, dismiss, or excuse it. With the material appearing as Las Vegas became the national leader (?) in home foreclosures, gaming revenue dropped, and large-scale projects teetered on the brink of cancellation or simply sat half-finished, Urbanizing the Mojave Desert gains even more resonance and importance. Indeed, what you think of Las Vegas is reminiscent of Tom Lehrer’s great line that life is like a sewer: what you get out of it depends upon what you put into it. The tourist who wants only to gamble, eat, drink, and enjoy the Strip, or the scholar who wants to know only what fits his or her preconceptions, or anyone who thinks that Las Vegas is simply Frank, Dean, Sammy, or some reasonable facsimile thereof will be amazed to find that the Las Vegas of Urbanizing the Mojave Desert exists. For those who live in Las Vegas, or study it, or both, this book is not merely vital. It is vitally necessary. Michael Green, College of Southern Nevada Not All Okies Are White: The Lives of Black Cotton Pickers in Arizona Geta LeSeur University of Missouri Press, 2000 When we think of the term “Okies” most of us turn to the traditional notion of migrant farmers as described in John Steinbeck’s novel The Grapes o f Wrath, and as depicted in the film of the same name. In her collection of oral narratives called Not All Okies Are White (University of Missouri Press), Dr. Geta LeSeur presents an alternate view, one that adds a multicultural aspect to “Okies” and reshapes our sense of the mass exodus that redefined significant aspects of American culture. Not All Okies Are White is a description of a small town called Randolph, in Arizona, and begins with an assertion of the heart and historical scope of Dr. LeSeur’s enterprise. She is interested primarily in the black migrant community that settled in Randolph but also intends to delve into the entire history of the town and examine the ethnic complexities that comprise its community. Randolph’s citizenry is comprised of a unique combination of elements. It includes black migrant farmers fleeing economic disaster, white farmers and businessmen, Mexican immigrants starting fresh, and Native American Indian families trying to maintain a culture irrevocably altered by history and the influx of newcomers. The town, in many ways, mirrors the history of many American towns. It has an agricultural aspect (cotton farms) and suffers the disaster of industry polluting the environment and wearing on the health of its citizens.