Popular Culture Review Vol. 20, No. 2, Summer 2009 | Page 29

Einstein On The Strip 25 computer glitches, near-misses, and cigars that almost exploded in everyone’s face. This isn’t calculated to generate confidence in nuclear “fail-safe.” It’s also a hellish way to observe your latest (but last) birthday! Yes, it takes the cake, made of U-238, festooned with plutonium candles. [Like the one baked for Gen. Leslie Groves, in 1945: a stunning display of hybris.] Now I know why Juergen Gortz immortalized Einstein (if that’s not redundant) in the way he did. But maybe there’s more to it than that. Maybe Einstein knew something about cruelty, stupidity, and absurdity that no one, not even Erasmus or Cervantes or Samuel Beckett, ever glimpsed or grasped. Maybe his response to the paparazzi of his day was more than a jest or a gesture, bom of frustration if not indignation at the invasion of privacy that all those flash-bulbs (themselves a token of Einstein’s handiwork as a thinker) represented. For at that moment Einstein’s visage became, not real, but a work of art—a refutation of every effort to expose or unmask him, by (re)creating himself in his own image, and by acting (not being) childish, mocking the very process by which his image as a Wise Man was mass-produced, or commercially manufactured. Turning Otherness inside out, like light that is ben Ё