Popular Culture Review Vol. 20, No. 2, Summer 2009 | Page 19

The Birth of Counter Theory 15 Works Cited A Clockwork Orange. Dir: Stanley Kubrick. Warner Bros., 1971. American Psycho. Dir: Mary Harron. Am Psycho Productions, 2000. Bennett, Tony and Janet Woollacott. Bond and Beyond. New York: Methuen, 1987. Burgess, Anthony. A Clockwork Orange. New York: W.W. Norton & Company, 1986. Camus, Albert. L’Etranger. {The Stranger) Paris: Gallimard, 1990. Caroll, Lewis. Alice in Wonderland. Through the Looking Glass. London: Anness Publishing Limited, 1995. Comentale, Edward P., Stephen Watt and Skip Willman, Eds. Ian Fleming & James Bond: The Cultural Politics o f 007. Bloomington: Indiana University Press, 2005. Culler, Jonathan. “Literary Theory” in Gibaldi, Joseph, ed. Introduction to Scholarship in Modern Languages and Literatures. New York: MLA, 1992, (201-235). ---------. Literary Theory: A Very Short Introduction. Oxford: Oxford UP, 1997. De Man, Paul. “Semiology and Rhetoric” in Diacritics, Vol. 3, No. 3 (Autumn 1973) 2733 . Derrida, Jacques. De la grammatologie. Paris: Editions de Minuit, 1967. ---------. Glas. Paris: Editions Galilee, 1974. ---------. La Carte Postale. Paris: Flammarion, 1980. Diderot, Denis. Jacques le Fataliste. Paris: Librairie Generate Francaise, 1976. Easton Ellis, Bret. American Psycho. New York: Vintage Contemporaries, 1991. Eco, Umberto. Interpretation and overinterpretation. Cambridge: Cambridge U.P., 1992. Fight Club. Dir: David Fincher. Art Linson Productions, 1999. Huysmans, Joris-Karl. A rebours {Against the Grain). Paris: Gamier-Flammarion, 1978. Johnson, Barbara. “The Frame of Reference: Poe, Lacan, Derrida.” Yale French Studies 55-6, 1977. Lacan, Jacques. Ecrits. Paris: coll. Point, 1970 Malcolm X. Dir: Spike Lee