146
Popular Culture Review
Yep, Gaston’s Gay: Disney and the Beauty of
Beastly Love
Patriarchy, the Christian Romance Novel, and the
“Ecosystem of Sex”
Volume 16, Number 2 * Summer 2005
Tennessee Williams and Sports
Risk-as-Pleasure
Secularizing the Saint: The Journey of St. George’s
Day from Feast Day to Horse Race
Jacques Derrida Visits Cicely: The Deconstruction
of Northern Exposure
Satirical Irony in Art Spiegelman’s Maus: A
Survivor’s Tale
Calamity Jane and the Social Construction of
Gender in the 1930s and 1950s
America’s New McCarthyism: Homosexual
Stereotypes, Myths, and the Politics of Fear
Struggling to Remember: War, Trauma, and the
Adventures of Thursday Next
Lea rning From Las Vegas: Hollywood Narrates the
Simulacrum
Las Vegas Odyssey: The Poetics of Domination
Volume 17, Number 1 ♦ Winter 2006
Construction of a Post-Racial Identity in Popular
Film Media: Revolution and Resistance
Expanding the Horizons of Cinematic Narrative: A
Textual Analysis of Nietzchean Themes in Five
Abel FerTara Films
Howling at the Moon: The Origin Story in
Werewolf Cinema
Four Milligrams of Phenomenology: An AnthroPhenomenological Exploration of Smoking
Cigarettes
The Contaminated Vision: The Alcoholic
Perspective in Hart Crane’s “The Wine Menagerie”
At the Margins of the Minors: Good Girls, Bad
Girls, and Baseball Beyond the Big Leagues
“You’ve Come a Long Way Baby”: An Update on
the Perpetuation of Decapitation Advertisement and
Its Commodification of Female Sexuality in Las
Vegas, NV
H. Peter Steeves
Matthew Kapell and
Suzanne Becker
Phillip C. Kolin
Laurens Tan
James H. Forse
Donald J. Newman
Kevin A. Morrison
Anna Louise Bates
Mel Seesholtz
Heather Lusty
Sergio Rizzo
Roberta Sabbath
J. A. White
Dennis Russell
J. Robert Craig
Simone Dennis
Matts G. Dios
Connie Brownson and
Harold Dorton
Melanie Ann Hanson