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Popular Culture Review
Understanding the Outsider: Grendel, Geisel, and
the Grinch
W est S id e S to r y , Kennedy’s Camelot & Postwar to
Early 1960s America
The X - M e n 's Storm: Challenging Cultural Norms?
P.C. on the Frontier: D r. Q u in n , M e d ic in e W o m a n
Synthesizing Eastern and Western Religious
Traditions
Volume 11, Number 2 * Summer 2000
Chinese Red Packets' Reflecting Changes of
Cultures and Relations
“Breaking” Hollywood’s Stereotype of the Japanese
American: The Significance of the Film G o F o r
Robert L. Schichler
Sheri Chinen Biesen
David J. Lambkin
Barbara Fowles Mates
Gage Chapel
Kin Wai Michael Siu
Joy Y. Nishie and
Erika Engstrom
B ro k e !
The Evocation of Death in Dorothy Dandridge’s
Charlene Regester
P h o to g ra p h : T h e R e a d in g o f a S till
Strategic Self-Commodification as Resistance: The
Complexity of Media-Transmitted AfricanAmerican Cultural Attitudes
Jasper Johns’s P a in te d B ro n ze Revisited: Art Posing
as Product
S/He’s Got It All: Myths, Mechanics, and Mystery
in Cross-Dressing Striptease and Burlesque
Performers
The New Horizon of the Moving Image: Digital
Production in the 21st Century
A Drive Through the City: VW’s Safe and
Delusional Urban Setting
Towards a New Modernism in European Co mics?
The Half-Baked Cultural Detective: F e a r a n d
L o a th in g in L a s V eg a s as Postmodern Noir
The Post-Colonial Vision of the “Great White” of
Lambarene
From the Fringe: Hip Hop Culture and Ethnic
Relations
Thrift Stores, Garage Sales, and Flea Markets: Pop
Culture, “Camp” and Ethics
Volume 12, Number 1 ▼February 2001
Unreal “Fields”: Constituents of the Lasting
Popularity of The Beatles’s S tra w b e rry F ie ld s
F orever
Keiko Nitta
Deborah H. Cibelli
Jon Donlon
Wheeler Winston
Dixon
Ross Talarico
Jan Baetens
Daniel Grassian
Gwendolyn Audrey
Foster
Renford Reese
Matthew Stolick
Arnold S. Wolfe