Popular Culture Review Vol. 20, No. 1, Winter 2009 | Page 134

130 P o p u la r C u l t u r e R e v ie w Volume 1 * December 1989 The Humorous Don Juan in Popular Culture True Stories as True Stories: The Use of the Narrator in David Byrne’s Films Mrs. Calibans’: Modem Beauties and Their Beasts The Passage of Growth in Three Modem Myths: A Comparison of The Adventures o f Tom Sawyer, Swami and Friends, and Lord o f the Flies Beyond the Fault Line: The Myth of California Jazz in Popular Culture: A Film Assist by Clint Eastwood El Dorado and Silverado: Gold and Silver Rushes in the Old West Volume 2, Number 1 V December 1990 The Other Ninety Percent The Changing Rhetorics of Plastic Jewelry “A Woman’s Place” Frank Waters: Popular Unknown Author Dike, Ananke, and the 1984 Chicago Cubs “Bye-bye Miss American Pie”: Don McLean and the Elegiac Tradition, or Lycidas Redivivus Suite Thursday: Duke Ellington’s Transformation of John Steinbeck’s Cannery Row Fictions Teledemocracy: Polls for Profit Political Party Activists and the Mass Media The Great Gatsby 1974 A Colossal Frost? ARF Volume 2, Number 2 * July 1991 A Peculiar Method of Literary Transformation: “Defamiliarization” in the Cowboy-Novel Serial Macho Man Meets the Million Dollar Man: Mayhem and the Mythology of Pro-Wrestling Popular Culture and the Great Debate: The Canon and the Comics Lessons From Hollywood: Feminist Film Theory and the Commercial Theatre Armand E. Singer Jack Estes Juli Barry K. Chellappan Quay Grigg William J. Moody Gerald Kreyche D. C. Fontana Eleanor Gordon Mikel Vause Charles Adams Michael W. Shurgot Eugene R. Cunnar Theodore R. Hudson Jeffery J. Mondak and David K. Heiss Lawrence W. Moreland, Robert P. Steed, and Tod A. Baker Deborah Davis Schlaks Marshall Fishwick Samuel I. Bellman Jill Hall G. L. Seligmann Christopher N. Jones