Popular Culture Review Vol. 2, No. 2, July 1991 | Page 80

72 The Popular Culture Review quite similar. The harsh urban and rural existences have a hardening effect which instead of deforming or destroying the beauty of their depicted worlds, actually enhances their appeal and, indeed, becomes an integral part of the artists' finished product. McDonald's Texas is a place where "A man riding alone carries his rifle for rattlers," but there are dangers worse than poisonous snakes in his world, one of which is the emotional deadliness of monotony. Boredom is an important theme both in McDonald's poetry and ZZTop's music. In the song "Arrested For Driving While Blind," the speaker's struggle against monotony takes the form of drinking and driving. "Now just the other night with nothin' to do / we broke a case of proof 102 / and started itchin' for that wonderful feel / of rollin’ in an automobile." Booze helps cut through boredom, and the desire to drive "while blind," as the song says, gives the drinking a sharper edge. At the beginning of the song, driving itself suggests the sheer monotony, even futility, of moving through life; drinking, the song implies, can provide rel ief by adding a dimension of danger and unpredictability. But the speaker advises against his own solution: "when you’re driving down the highway at night / and you're feelin’ that wild turkey's bite / don't give Johnny Walker a ride / cause Jack Black is right by your side." The wild turkey’s bite, the craving to drink, implies a need to combat the sense of futility, to discover something worthwhile in the passing landscape. But as the speaker says, the battle against monotony is dangerous; the harsh pain of reality and the joy of beauty are inseparably interwoven so that experience of one without the other is impossible. McDonald's poem "Driving at Night Through Texas" is about a similar struggle with monotony. Here the speaker is driving through country described as "miles of the same / straight road rolling beneath us / like a player piano cranking the same old / country and western tune that takes us / home." McDonald’s speaker is feeling "that wild turkey's bite," but instead of drinking, he proposes a solution which is at least as risky as giving "Johnny Walker a ride:" "I'd like to hit the switch / and drive in moonlight, but you believe / in deer and cattle-crossing signs . . . " To drive without headlights, essentially to drive "while blind," would vanquish the harsh monotony of the landscape, but as in ZZTop’s song, the speaker of the poem cautions that the consequences of such an act are dangerous. In both the song and the poem, there is a sense