Popular Culture Review Vol. 15, No. 1 | Page 86

82 Popular Culture Review The contradiction between the idea that “all I can be is just me” and that still “I am whatever you say I am” admits a complex revelation of self. Eminem seems to admit that a media constructed identity of Marshall Mathers is as legitimate a claim about who and what he is as what he himself has to say about himself. The existential statement that “in the paper, the news everyday I am” admits to how Marshall Mathers exists as a legitimately real simulation of himself. As he says, “it’s just the way I am.” Again, there is an almost Baudrillardan theme of self and simulation at work here. In Postmodernism, Jim Powell describes how Baudrillard’s sense of the simulacrum is that these simulacra that appear through print and electronic media have become more real to us than the reality that they represent, or—put in Powell’s words—that the images of a celebrity like Madonna have “become more real than Madonna the person” (56) in contemporary culture. “The Way I Am” seems to acknowledge this constructed nature of the self and to accept it. But at the heart of the song is also an acknowledgement that his presentation of self also helps to define that figuration. As Eminem says, if he wasn’t who we say he is, “then why would I say I am?” The complexity of this balancing act that Eminem plays between the self he presents himself as and that he has been constructed as is revealed in a 2001 interview with triple j of the Australian Broadcasting Corporation. Eminem defends his most offensive commentaries by describing them as merely representational: When a guy in a movie plays a racist, does that mean he’s a racist in real life? When you see him out of that film? Outside of that film? No it doesn’t. So what makes me so different as playin’ . . . a persona on a record or livin’ out a character— y’know what I mean—on a record as opposed to being one in a film? A lot of my songs are like movies. Like, like the “Kim” song for example. That’s almost like a movie that I’m kinda taking you through. While “The Way I Am” admits that personas become existentially “I am,” his defense belies this idea, suggesting that a persona is role-playing, an act. Indeed, Eminem explains that “[i]t’s irony, man. It’s parody. It’s what goes on here in America. There are really some sick and psychotic people that think like I rap.” The ironic moment in this statement comes when Eminem claims that there are “sick and psychotic people that think like I rap.” In order to write his lyrics, Eminem has to think like he raps; and indeed, his thinking is admittedly related to the thinking of Slim Shady. His response to the interviewer’s question “How different is Slim Shady from Marshall Mathers?” shows there is both: