Popular Culture Review Vol. 15, No. 1 | Page 73

Shopping as an Entertainment Experience 69 Like the ultimate in mass leisure provided by People and In Style, Sony, Benneton and other corporations mix advertising into a sophisticated entertainment formula. The Department Store Sophisticated retail environments have never been content to simply let the goods lie on the table or on the rack. Very quickly it was realized that to differentiate one’s store from the bazaar or boutique, what one had to do was entice the potential consumer by educating and offering more than the basic staples of goods. Almost immediately, the early French department store magnates began to offer a wide array of extra consumption activities, ranging from elaborate window displays to hairdressing salons. The early entrepreneurs knew that they had to come up with something fantastic to entrance and attract the crowds. It was, as Michael Miller has observed, about “seduction and showmanship” (Miller 167). The founder of the Bon Marche, Aristide Boucicaut, was at the forefront of the business of dazzling potential consumers. He had the unparalleled ability to envelope: . . . his marketplace in an aura of fascination that turned buying into a special and irresistible occasion. Dazzling and sensuous, the Bon Marche became a permanent fair, an institution, a fantasy world, a spectacle of extraordinary proportions, so that going to the store became an event and an adventure. One came now less to purchase a particular article than simply to visit, buying into the process because it was part of the excitement, part of the experience that added another dimension to life (Miller 167). The public was captivated by these offerings and came to both expect and see the department store as a place that offered something novel. By the end of the nineteenth century, consumers were coming to the department store to be entertained and enthralled as much as to purchase. To some, the department store became a theatre, to others, a temple. Both within, and increasingly, on the outside, the department store was capable of resembling both (Miller 167). In America, Marshall Fields was a pioneer in the move to make the department store as attractive as possible to the would-be buyer. Fields was instrumental in giving the department store into a museum-like atmosphere, offering tie potential consumer “something more.” This “something more” turned the traditional notion of a retail emporium completely on its head. Consumers, and in particular, women, could not just shop, but have tea, a manicure, and even see a fashion show-all within the confines of Fields’s palace. By offering these distractions, attractions, and novelties, a day, an afternoon, or even an evening turned into an entertainment experience. In France, Aristide