Popular Culture Review Vol. 15, No. 1 | Page 17

Still Dreaming of Africa 13 Africa are simply not dealt with.”10 For Erin Oke, using Africa as a substitute for Kenya, where the film actually takes place, . . smacks of the imperialist mind set that set up Africa as the ‘dark continent’ in the first place and then set out to colonise and ‘civilise’ it.” Oke continues, “The Gallmanns mostly hang out with and [sic] endless series of big game hunting, private plane-flying white folk and send their son off to a British-run prep school where he can learn to play cricket.” 11 Kenneth Turan of the Los Angeles Times wrote that “Kenya, the new family’s destination, looks in Bernard Lutic’s cinematography as beautiful as everyone hoped it would be, and soon enough they settle into the African colonial-style equivalent of a fixer-upper, complete with devoted servants who conveniently happen to live in the neighborhood.”12 Winston Ntshona (he previously played Gordon Ngubene, the South African black gardener whose son is killed in,4 Dry White Season [1989]), has the only real African-speaking role as a sunglasses-wearing chief who says how much he has learned from European missionaries. Or from Haro-online.com/movies: “There are only small vignettes on African life in a slow moving film where little happens.. . . Also, although the film takes place a matter of decades ago, everything looks like it came out of the earlier part of the century. If Teddy Roosevelt passed in the background on safari, it would be completely believable. The lack of Africans (hey, it is Africa after all) is also strange.”13 Kim Basinger does not help with lines such as: “I am surrounded by Africa. I am surrounded by life.” Or such witticisms as “I am at peace.” “I am alone.” “He is my son. He is my friend.” Basinger “delivers most of her lines in a sedate drone,” writes Brenda Sokolowski, “that’s supposed to convey bliss, although one wonders whether she got her paws on a stash of Valium