Popular Culture Review Vol. 15, No. 1 | Page 16

12 Popular Culture Review “Kenya is portrayed as a sort of rough resort, and the thorny questions behind issues like conservationism vs. cultural insensitivity don’t get looked into.”—Oregonian “Enjoy all the scenery while you’re yawning.”—South Florida Sun-Sentinel “I’m beginning to suspect that Basinger’s Academy Award winning turn in L.A. Confidential was a fluke.”—Palo Alto Weekly “They don’t revoke Academy Awards, do they?”—Kansas City Star “Watching I Dreamed o f Africa is like watching paint dryexcept that the paint never actually gets dry.”—Orlando Sentinel “Could be likened to the pace of a funeral dirge.”—Movie Parables “A Meandering Mess.”—Film.com “/ Dreamed o f Africa may very well be the lowest descent in Hell I’ve taken thus far in my years of cinematic experiences.”—Ain 7 It Cool Movie Reviews “Even in the most picturesque segments of I Dreamed o f Africa, a film that often has the feel of an epic travelogue, something is missing.”—New York Times “A dream of a substantial production; a wisp of a movie that dissipates the moment you leave the theater.”—Miami Heralct In addition to the bad filmmaking, reviewers were also quick to pick up on neo-colonialist, neo-imperialist, and racist themes in the film; fifteen years of deconstructing Out o f Africa saw to that. Roger Ebert wrote that, “It’s strange to see ‘I Dreamed of Africa’ at a time when the papers are filled with stories of white farmers being murdered in Zimbabwe. Here is the story of an Italian couple who move to the highlands of Kenya in 1972, buy a ranch near the Great Rift Valley and lead lives in which Africans drift about in the background, vaguely, like unpaid extras. Is it really as simple as that? The realities of contemporary