Popular Culture Review Vol. 13, No. 2, Summer 2002 | Page 119

Public Access Television 115 Works Cited Abrahams, R. D. “Interpreting Folklore Ethnographically and Sociologically.” Handbook o f American Folklore. Ed. R. M. Dorson. Bloomington: Indiana University Press, 1983. 345-50. Armstrong, D. A Trumpet to Arms: Alternative Media in America. Boston: South End Press, 1981. Bauman, R. “The Field Study o f Folklore in Context.” Handbook o f American Folklore. Ed. R. M. Dorson. Bloomington: Indiana University Press, 1983. 362-68. Carey, J. Communication as Culture: Essays on Media and Society. Boston: Unwin Hyman, 1988. Cubitt, S. Timeshift: On Video Culture. New York: Routledge, Chapman and Hall, 1991. Ddgh, L. American Folklore and the Mass Media. Bloomington, IN: Indiana University Press, 1994. Djupedal, K. “Mass Media, Esoteric Groups and Folkloristics.” Journal of Popular Culture 26-4 (1996): 69-78. Donnelly, W. J. The Confetti Generation: How the New Communication Technology is Fragmenting America. New York: Henry Holt, 1986. Gans, H. J. Deciding What's News: A Study o f CBS Evening News, NBC Nightly News, Newsweek, and Time. New York: Vintage Books, 1980. Manzi, S. and I. Bmgnoh. “Confessions of Access Producers in Search o f Fame and Fortune.” Cablevision March 12, 1990: . McQuail, D. Mass Communication Theory, 2"^ ed. New York: Sage, 1987. Morrow, L. “Folklore in a Box.” TIME (1992): 50-51. Yoder, R. K. Public Access Producers: The Roles of Genre, Motivation, and Audience in Program Design. Diss. Bowling Green State U., 1998. Ann Arbor: UMI, 1998. 9902355.