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8.
9.
K ozloff 30-31, described Johns’ fashioning o f materials further: ‘in Painted Bronze,
1960, the rim is even covered with a metallic silverpaint, in contrast to the red enamel
underneath and the underlying bronze surface. It is a juxtaposition o f metal on metal,
and hence o f ‘objectness’ in two forms: liquid and solid.”
Earlier Sandler said o f the flag, “It showed that an image doesn’t Just represent a thing
that isn’t at hand; it is something in its own right, too” (183).
Johnston, citing Alan Solomon’s catalogue essay for Johns’ 1964 Jewish Museum
Retrospective, 61.
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