ONE SMALL SEED MAGAZINE Issue #27 Digital 02 | Page 59

As a beautiful, nimble dancer flits through a barren desert land, she locks eyes with a strong, sculpturesque man, and as they motion to embrace each other the sands of time quickly begin to slip away to reveal a great wall between the two lovers. Not only does a hummingbird peck at a watch to awaken time, but so do figures dive into mysterious shadows and emerge only to morph into dandelionssumptuously supported by a Mexican operatic musical score. This could only happen in an animated film, and only by Salvador Dali. However, you will be surprised to know that Walt Disney was the instigator for this pioneering and bizarre collaboration resulting in a 6-minute animation film titled Destino. The project started in 1946 when the two creative virtuosos embarked on their journey towards the completion of Destino; little did they know that it would only come to fruition about half a century later. The project was shelved a few months into it’s inception due to financial problems caused by World War 2, only to be revived in 1999 by Walt Disney’s nephew, Roy Disney. He happened upon the unfinished sketches, storyboards and 17 seconds of animation whilst creating Fantasia 2000. He worked alongside John Hench who carefully completed the project maintaining the integrity and focusing on finding continuity. The revival of Destino was met with success in 2003 when it was nominated for an Academy Award for the Best Animated Short Film. DESTINO EXQUISITE METAPHORS AND IMAGERY MAKE THIS ANIMATION RELATABLE AND TIMELESS. Perhaps the mismatch in ideologies between the two collaborators contributed to the project being swiftly curtailed. Some saw Disney’s sudden move into surrealism as a statement that Disney movies are not only about marketability, but also about artistry. Dali saw the animation as a ‘magical display of the problem of life in the labyrinth of time’, as opposed to Disney’s more traditional take as a ‘simple story about a young girl in search of true love’. Before watching Destino, one may think the animation is outdated and inaccessible, but just like the timeless appeal of Dali’s paintings, the exquisite metaphors and imagery make this animation relatable and timeless. The viewer is shown simple yet meaningful imagery and clever shape-shifting which can deceive the eye. Dali and Disney certainly did create a masterpiece, whether it was wholeheartedly their creation, or not, remains a mystery deep in a puddle of one of Dali’s shadows.