Musée Magazine Issue No. 16 - Chaos | Page 30

often go back to their homes trying to find documents, like ANDREA: Would that be the same thing as a conflict their insurance. It depends on the amount of time you have photographer? to flee and leave. GIDEON: Not really. Conflict photographers photograph… ANDREA: You have been described as a “struggle pho- conflict. With struggle photography, you were photo- tographer”, how do you feel about this title that has been graphing a certain political struggle and identifying with bestowed upon you and your work? it. In Africa in the 1980’s it was a young generation of photographers whose work was kind of instrumental in GIDEON: That term is very old. It’s dated back to my the fight against apartheid. If you look at the series on my time in South Africa in the 1980’s where I was working website in South Africa called The Struggle, you can see with a young generation of struggle photographers. some of the images made in that time. Ironically, another Gideon Mendel, João Pereira de Araújo, Taquari Districta, Rio Branco, Brazil, March 2015. 28