More to Death Edition3 2014 | Page 25

memorials Past and Present As a stone sculptor and designer of contemporary memorials, I am always drawn to churchyards and cemeteries to look at old headstones and graves. These traditional burial grounds encompass the rich social and economic history of a village, town or city and often exhibit the finest artisan skills of their day. I recently visited Arnos Vale Cemetery, located in a vast wooded hillside near the centre of Bristol. It’s packed with huge ornate Victorian mausoleums, graves and sculptures – an historical document in stone, if you will, recording the lives of the great and good from yesteryear. Arnos Vale truly is a fascinating place to explore and observe the grand public gestures people made about themselves or their family members after death. Generation upon generation were laid to rest there in large plots endorsing an unspoken continuum. Most had always lived in Bristol, held a significant social standing within the community and felt the need to express their worth - both as part of a larger family and as Bristolians. I have come to realise that people today are looking for very different ways to commemorate life, compared with these huge Victorian edifices. Intimate objects of mourning from the 19th century - such as jewellery, decorative objects or keepsakes made from human hair and jet – have more relevance to the modern mindset. These were private and individual mementos – permanent and precious physical reminders of a person - and something which could be passed down through a family. Many of us now lead a more transitory lifestyle. Members of the same family may live in different parts of the country By Kate Semple continued