Luxe Beat Magazine SEPTEMBER 2014 | Page 75

Music he’s most creative during the late morning and throughout the day; “Always after coffee, though, always after coffee.” The conversation moved from music to movies, books and other various topics. His favorite film is Unforgiven or is it Back to the Future? “Every shot in that movie (Unforgiven) is remarkable. It’s truly a beautiful film. The music and cinematography in Brokeback Mountain is quite good as well. But I always just seem to answer, Back to the Future for this question, because it’s been my favorite since childhood.” Since we’re on the topic of his childhood, I ask what musical influences he had, growing up. “I suppose those first few records and albums every musician hears stick into their subconscious.” “Well, I am a child of the 80s, so there were some late 70s and 60s tracks that hung around the record player frequently, while neo-pop was still figuring itself out. Those guilty pleasures also made their way in to my head and heart while my older sister teased her bangs radically to the catchy and poppy tunes of the time. The first few albums on repeat that I grooved to were Grover Washington Jr., ‘Winelight’. I think that was in every household or tape deck I visited as a kid. Most also had Bruce Springsteen, ‘Born in the USA’. Michael Jackson, ‘Thriller’ and ‘Bad’. I remember I got ‘Bad’ on cassette for Christmas when I was maybe six. I thought Michael was the coolest thing ever. I can go on and on, Paul Simon, ‘Graceland’, George Benson, ‘Give me the Night’ and ‘Breezin’, Billy Joel, ‘52nd Street’, Chicago, ‘IX Chicago’s Greatest Hits’, George Gershwin, ‘Rhapsody in Blue