Luxe Beat Magazine OCTOBER 2014 | Page 95

Literature invigorating about books and the movie, and I really enjoy getting out there and talking with new readers. When I step away from all of this, you can probably find me out on a walk. I cannot stand to be inside on a nice, sunny day watching TV. I need to be out doing something, walking, golfing or hiking. How does your radio career play into your routine? Well, this is my day job. I really enjoy doing my daily three-hour radio show. A lot of people ask me if having my own live, radio show every day is hard? It is actually the easiest thing I do. It is harder for me to write than do my show. I just love the interaction with listeners and callers. After almost 18 years in TV news, I like radio even more than I ever imagined. There is this close bond with talk show listeners that is two-way. TV is one direction. On TV, you broadcast, an anchor talks and someone receives the show. With radio, like writing, you say or express yourself, and someone connects with you and what you are saying more closely than most mediums. Coven Cockt ail 2 ½oz of Cap tain Morgan’ s Spiced Rum 3 ½oz fresh apple cider Ice apple slice (G ranny Smith) Fill highball glass with ic e. Add Capta Spiced Rum. in Morgan’s Add Apple C ider. Add App le Slice for Garnish. Stir . Enjoy. Who is your favorite Salem VI character? In writing the book initially, it was Abigail. I got a real sense of her and what made her tick. But Rebecca was really a driving force, and I like how she rises and John really got a sense of this too. I like how when she gets really pissed off, you can feel her rise within John Andrews to get him to do what she wants him to do. COCKTAIL PH OTO COURTE SY of so many readers who enjoy stories he has to tell. Who knows what he’ll be doing next, once the film is released (holidays 2015)? If you are interested in learning more about Jack Heath and his work, please go to www. jackheathradio.com or Jack Heath is a one-of-a-kind guy who just keeps making big things happen. His modern-day take on the Salem witch trials has changed my life on so many levels, and the lives OF FRANCINE BOECHER. www.salemwitchtrilogy.com. The Salem VI series is published by Pressque Publishing and co-authored with John Thompson. Book Inspires Jazz Musician to Write A Musical Score By Sherrie Wilkolaski and Andrew Andron Salem VI: Rebecca’s Rising, the book by Jack Heath and John Thompson, has been an inspiration to many artists. The first musician to write a piece of music after reading the book was Grammy award winning artist Sean Pallitroni. His music has been the “theme song” for the book series since the spring of 2013, when he released a YouTube video playing his piece, while a copy of the book rests on his piano. Next, the book enthused film producer Michael DeRoker of Wonderland Pictures, Inc. to write the screenplay. Now, this inspired artist is on his way to making the film with plans to release late 2015. worships Satan. Fueled by the need to understand whether his wife’s death was really an accident or something far more sinister, Andrews, along with his beautiful assistant editor, risk everything to discover a truth so horrifying it threatens to destroy everything and everyone he knows and loves. Here are the musical tracks written and produced by Andrew Andron. Final remastering was done by Richie Cannata. several pieces of music. It’s the start of what could become the musical score for the film. If you’ve read the books and then listened to the music, you feel the connection. He has captured the essence of the story in music. We’ll be hearing from Andrew in a future issue. But for now, let me give you a sneak preview of what he has composed for the upcoming film title, Chain of Souls, based on the book Salem VI: Rebecca’s Rising. I’ve included Andrew’s descriptions of each of the songs along with an audio clip. Things Remembered This piece was composed being mindful of John Andrews’ unfortunate past and the tremendous grief he experienced, especially towards the beginning of the novel. It was written to accompany his thought process while he attempts to connect his past to his present. Salem Visited The unsettling melodic structure of this piece was inspired by the presence of the ghost of Rebecca Nurse and her many unexpected encounters with John Andrews. The trill at the beginning of each phrase is intended to provide an eerie musical complement to the highly detailed reappearances of Rebecca Nurse. Discovery Because so much of John’s past was conveyed to the reader in the form of a flashback, it became a recurring element in telling the story of Rebecca’s Rising. The recurring harmonic To get you in the mood, here is the book synopsis: Having stepped off the fast track of primetime network television news, John Andrews has chosen a quieter life as editor of Salem News, a small paper in a quiet New England town. Life is perfect until Andrews’ wife is killed in a tragic accident. After several years of trying to numb the pain with alcohol, Andrews is visited by the spirit of a long dead ancestor who opens a door to a shocking family history. While I was working on an upcoming story about jazz pianist, Andrew Andron, I happened to give him a copy of the first two books in the series as a thank you for his time. He dove right into the books and before I knew it, he had written After he experiences a surreal glimpse into the past, Andrews must confront the question of whether he is losing his mind or whether for several hundred years his ancestors have been engaged in a secret battle with a coven that 3 pattern central to this piece serves a similar musical purpose. Visions from the Past The many pauses in this piece illustrate the uncertainty that can be sensed by the reader in anticipation of what is yet to come in the life of John Andrews, and the changes that he experiences as he becomes increasingly “aware” of the presence of occultism in Salem. Rising This piece was inspired by the paranormal aspects of the novel, and places great emphasis on points of both high and low intensity, through dynamic contrast. It