Luxe Beat Magazine MAY 2015 | Page 92

E veryone needs a neighborhood tailor they can trust. When a hem comes undone, a button goes missing, or getting your favorite garment ready for a big event, your tailor is the one you turn to. In this modern world we live in, the future of the tailoring business is in the technology. I recently discovered Los Angelesbased STITCH and was blown away by their high-quality alterations and design services. They have re-invented the tailoring experience. Whether you drop in to the LA shop, or they come to you, this is no back-room shop with a fleet of grandma’s working 100 year old sewing machines. They make house calls and do it all with the utmost style. Alex Harden is the founder, owner and visionary of STITCH and he took the time to talk with me to give our Luxe Beat Magazine readers the inside scoop on their innovative approach to the classic tailoring service. Sherrie Wilkolaski: In this day and age, where does STITCH find a seamstress? Alex Harden: Our core business is clothing alterations; pant hems to wedding gowns and everything in between. As a result, we work with seamstress from a variety of backgrounds including, customers, tailors, fashion designers and dressmakers. In terms of recruitment, STITCH has a presence on all of the recruiting websites but this only accounts for a third of the applications we receive. Since opening, word has got to the industry and we have a number of enquires both through our website as well as directly. Additionally, we have built good relationships with the trade schools, in particular, FIDM (Fashion Institute of Design and Merchandising) whose alumni are some of the most talented professionals in the industry. SW: Is tailoring, a lost art? AH: Firstly, I think the appreciation for tailoring has declined but is back in favor. Over the last decade, with the surge of online retail and dramatic fall in clothing prices due to cheaper manufacturing overseas, clothing became disposable. As a result, people were less inclined to spend money altering a garment they would eventually throw out. However, in recent times, with pressure to improve manufacturing quality and to bring work back into the United States, people are 92