Luxe Beat Magazine May 2014 | Page 92

Maha’s dates and the other fabulous foods of the Middle East played an important part in all our lives – I had blissfully forgotten about most of the things I’d cooked in my previous life. However, I was still receiving my censored editions (think Maggie Beer in a Texta-ed black abaya) of the Australian Gourmet Traveller. The recipes and new ideas in that magazine still excited me. One day when I was talking to Maha about a recipe for Peking Duck, she casually mentioned that she’d never tried it. I couldn’t resist the urge to cook it, so I organised a dinner in her honour as a thank-you for the date deliveries. It was to be a girls’ night, so I invited Robbie and Aruna, my Indian cooking teacher, to join Maha and me. I fed the kids and prepared a meal for Shane so that he could make himself scarce. Maha would not be dressed in her abaya: he had to secrete himself upstairs so that he couldn’t see her. But I saw her – and she looked gorgeous. When she arrived and removed her abaya and headscarf, she revealed a most exquisite two-piece ensemble in soft blues, mauves and grey. The fabric was a kind of gauze that I’d never seen before. She’d completed the outfit with a simple grey pearl necklace that looked so elegant and right. Maha had a way of always looking as if she’d stepped out of the pages of Harper’s Bazaar. She had such an abundance of grace and poise that I’m sure she would have looked perfectly splendid in a hessian sack. Aruna also looked beautiful in her magnificent sari, and Robbie looked resplendent – as always – in a cerise coloured blouse that coordinated perfectly with her glamorous hot pink fingernails: after all she was the queen of manicures. Robbie was good friends with Maha and was overjoyed at the dinner invitation. Being a natural conversationalist, she held court and kept the mood buoyant while I cooked. I couldn’t resist wearing one of my precious pinnies, but I did stick to a conservative number so as not to offend Maha. I presented the duck, which was a triumph, and followed with a rich sticky-date pudding – using Maha’s dates, of course. The meal that I’d made from my muchloved source of inspiration was perfect, and I was delighted with the result. Aruna asked for the stickydate pudding recipe, which I’d borrowed from the great British cook Delia Smith. I’d tweaked it a little and added a few variations, so I had no compunction in calling it my own. Sorry, Delia, but mine’s better. I always take it as a great compliment when someone asks for my recipe. It means that the dish was a success and that my creation will be reborn in someone else’s kitchen. The person can modify the recipe as they wish, but the request means that they liked it enough to reproduce it, and I am always happy to oblige. But Maha was more interested in my apron. She asked if I’d mind teaching her how to paint in a similar style to the flying woman, and of course I took her request as another great compliment. I was now considered a good enough artist to teach others! I blushed and said, “Of course. When would you like to have your lesson?” I was so excited about returning Maha’s favour. The end of the summer break was a time that would probably work well for both of us, so she opened her leather diary and gave me a few options. I thumbed through my own diary and shuffled a few less important engagements to settle on one of the dates she’d given me. “Okay, this date is good,” I said, writing the words ‘Painting with Maha’ on the page. Photography and logo provided by BroadsAbroad.net. 2001. Or – as the Americans It was September would now say – the day after 9/11. 12th 92