Luxe Beat Magazine JANUARY 2015 | Page 114

Applying the patina. Photo courtesy of Artworks Foundry. comprised mostly of copper, with a small percentage of tin and additives such as silicon for workability and resistance to corrosion. nce the bron e has sufficiently cooled, the ceramic mold is broken apart, revealing the bronze casting. he bron e figure is cleaned and checked to ensure that every detail of the original has been faithfully reproduced. In some cases, the clay model has been divided into several pieces prior to the mold-making process—the consequent cast pieces are welded together prior to the sculpture being hallmarked and polished. Many sculptures are limited to a specific number of castings a “limited edition” . he casting number and the edition quantity are permanently stamped near the artist’s signature. Lastly, a patina is applied to the figure. n metal castings, the patina Whirlwind by Martin Eichinger is usually a coating of various chemical compounds such as oxides, carbonates, sulfides, or sulfates, to change the appearance of the surface, the application of the chemicals with heat creating variations in color and finish. he result can be an appearance that is anything from a creamy, polished surface, more like marble than bron e, to a finish that resembles