Internet Learning Volume 5, Number 1, Fall 2016/Winter 2017 | Page 39

Internet Learning But physical proximity still permits great gulfs among those involved in the process. Cultural differences, political antagonisms, and temperamental disparities can intrude in the learning process. Online education is not immune from these obstacles, but is helpful to remember that physical distance is only one of many communication challenges. Aesthetics matter: interface design shapes learning. Early online courses were mere digitizations of place-based learning materials, and did a disservice to both media. As Wise (2016) notes: “There’s more to implementing learning technology than plugging traditional classroom practices into a digital platform; that would merely be digitizing content.” Interface aesthetics in online learning should embrace research-based strategies for layout, navigation, and screen design, which enrich the learner’s experience and create opportunities for collaboration, cooperation, and meaningful feedback (Peters, 2014). These approaches should remain flexible and open to variation, however, in order to avoid the strictures of best practices. Remixing digital content redefines authorship. One of the most controversial tenets of the Manifesto for American academics may be its challenge to traditional concepts of authorship. Digital content affords authors and readers an unprecedented ability to augment and reshape the work of others. A primary example of this kind of collaboration is Wikipedia, the largest encyclopedia in history, and the sixth most commonly used website in the world (Simonite, 2013). Another example is fanfiction, in which fans create and post new, unauthorized work about characters or settings from an original work of fiction. The Manifesto embraces and celebrates this culture of remixing, and urges us to reconsider our assumptions about ownership and authorship. Conclusion The Scottish Manifesto for Teaching Online will leave many US educators scratching their heads, wondering if there is any useful application to the American system. Although Jim Shimabukuro, editor of the Educational Technology and Change Journal calls the Manifesto “arguably the most exciting document for discussion to emerge thus far in 2012,” Marostica (2012), derides the Manifesto as a meme-like document designed to “make online education cool;” and it was described in InsideHigherEd as “an exceptionally wordy bumper sticker,” (Kolowich, 2012). The Manifesto authors welcome these differences of opinion, since their primary goal is to inspire debate and dialogue. Citing James Lamb (2015b), again: One of the things that I like about the Manifesto is its intention to provoke discussion rather than dictate a set of hard-and-fast rules: we are encouraged to approach and interpret the statements in our own way. 38