insideKENT Magazine Issue 40 - July 2015 | Page 31
ARTS+ENTERTAINMENT
exclusive interview with
CONTEMPORARY ARTIST, LEIGH MULLEY
Leigh Mulley’s art is colourful, vibrant, and exciting; it’s big and bold and it simply
cannot be missed. So what is it that makes this Kent-based artist tick? What inspired
her love of art and nurtured her talent for creating stunning pieces? insideKENT's
feature writer, Lisamarie Lamb, finds out.
Leigh Mulley
Small Eyes Mural
Green Pistol
Mr Whippy
Funfair Stall
What inspired your unique form of art?
I developed a passion for art at a very young age
– at primary school – inspired by a wonderful
teacher. I won a weekly art competition, and the
sense of achievement fuelled my interest. My
parents are al so very creative and encouraging.
Eventually, like many realist painters, I became
interested in Renaissance art, Dutch Realism,
Victorian Art, and American Photorealism, through
to today’s contemporary practitioners. It’s not all
about painters though; some of my favourite
works are by conceptual and abstract artists too.
My work developed into a reasonably detailed
style as my painting career progressed – I definitely
like to describe complex, intricate, crisp features.
What is the most interesting commission
you’ve ever received?
I’m not sure that it counts as a commission as
such, but getting to leave the studio and paint a
13m x 9m mural is unquestionably the most
interesting project I’ve done in a while.
What is your favourite piece so far?
I don’t really have favourites; I can only really view
my work with a critical eye – it’s just too hard to
be objective with your own stuff. I’ve just been
working on a piece that depicts a classic
amusement arcade 2p pusher; it's something
Balloons
I’ve wanted to paint for a long time, so it feels
good to get that going.
Is there any kind of material you don’t like
working with?
I don’t think so – the nicest thing is finding time
to play and experiment with things. I’m pretty
fanatical about making sure my materials are
cruelty free and low in environmental impact, so
I swerve anything damaging in that respect.
Your work ethic is founded on the big, bold,
and beautiful. When did this become
important, and was there a specific event that
brought it home to you?
Well my work is themed around coastal resorts,
featuring things like amusement arcades, funfairs
and souvenir shops, and their associations with
social class and culture. The scenery in these
locations is usually dense in vibrant colour, lights,
sounds, smells – it’s a real assault on the senses,
and heightens your excitement. These things are
arresting when they hit you – and I always aim to
capture that in the work. I think these things
appealed to me as a child visiting places like
Margate, Ramsgate, Whitstable, Herne bay. I find
the power of colour a particularly interesting
subject.
31
How has your work changed over time?
I think my work has gained meaning. When I first
started painting I worked on subjects that I simply
Iiked, but over time I’ve learned to tie in the issues
and factors that are part of who I am. This makes
me feel true to myself, that my work comes from
the heart, and that ultimately it will affect the
overall outcome of what I produce.
What are your plans for the future?
I want to visit more of the UK’s coastal resorts
and document them – there are still so many
things I’d like to capture and depict. I’m keen to
organise some form of exhibition to raise funds
for the charity I volunteer for – they do incredible
work for Kent’s stunning wildlife – and inspired
the mural I completed last year (Fur and Feather
Wildlife Trust).
Where can we see your work?
I’ll be showing later this summer, for which details
will be on my website and newsletter. The mural
is obviously available to see anytime in Folkestone.
How can our readers get in touch with you?
They can contact me anytime via my website
www.leighmulley.com; Twitter @leighmulley;
or Facebook /leigh-mulley.