InkSpired Magazine Issue No. 36 | Page 46

Swartout was afforded the opportunity to assist in the restoration of a 1890’s Queen Anne Victorian home in Eugene, Oregon, a project which extended over five years. Guided by a professor of Architectural Science and another of the Fundamentals of Historic Preservation from the University of Oregon, Swartout was imparted with a vast amount of knowledge, regarding not merely restorative techniques and methods, but also principles 44 InkSpiredMagazine.com and details specific to that era. And as one can imagine, working for years restoring and recreating architectural elements from a very particular time period and style would immensely influence an artist’s aesthetics. He feels a deep spiritual connection to the Southwest United States, the cultures that exists there now and the cultures that have been there for thousands of years. He believes in the simplicity of the architecture native to the region; mud brick, straw, and adobe. The ancient Puebloans native to the Southwest have used similar materials for hundreds of years and had a belief that their structures, built from stone, wood, and mud plaster, would one day return to the earth. Swartout is also a proponent for green construction, building with renewable and sustainable materials, such as strawbale