Santer Rikki
Rikki Santer is an award-winning poet whose work has appeared in numerous
publications including Ms. Magazine, Poetry East, Margie, Crab Orchard Review,
Grimm and The Main Street Rag. Two of her published poetry collections have explored
place: Front Nine (the Hopewell earthworks of Newark, Ohio) and Kahiki Redux (the late
Kahiki Supper Club of Columbus, Ohio). Clothesline Logic was published by Pudding
House as finalist in their national chapbook competition, and her latest collection, Fishing
for Rabbits, was published by Kattywompus Press. She lives in Columbus, Ohio, where
she teaches literature, writing and film studies at a public high school.
Sinex CD
CD Sinex lived in rural Hokkaido (Japan’s northernmost island) for 20 years. His poems
have appeared in Every Day Poets, The Boston Literary Magazine, The Icebox (Kyoto,
Japan), Contemporary Haibun On-Line, and Four and Twenty, among others. He
currently lives in the Pacific Northwest.
Williams Brittany R
Brittany Renee Williams breathes fiction and writing keeps her sane. So much so that she
graduated from Texas A&M University with her Bachelor of Arts in English Literature.
After college, she survived being a paralegal and wrote more legal documents than any
sane person should. Now she stays at home with four beautiful children and of course,
writes. She has been published in the Campbell County Observer, Sprout Online
Magazine, and the Wyoming Writer's Newsletter. She placed third in Wyoming Writer's
Contest for Flash Fiction.
Zapata Angel
Although Angel Zapata currently lives in Georgia, he was raised on the streets of New
York City and uses the grit still clinging to his shoes to chalk up fiction and poetry. He is
the recipient of the 2012 Mariner Award for Bewildering Stories’ most outstanding flash
fiction work of the year, “Carrion Folk,” and a winner of MicroHorror’s 2013 CJ
Henderson Memorial Award for his horrific tale, “Eye Appeal.” He’s authored the poetry
chapbooks, “An Offering of Ink and Feathers,” and “Prayers from Crooked Spines.”
Gyroscope Review 64
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