Fort Lewis College Annual Reports Summer Issue 2014 | Page 6

Education in Their Bones Cissy and John Anderson F or most people, meeting a sitting President of the United States is a once in a lifetime event. For John Anderson, and especially his wife Cissy, it was fairly common occurrence. Cissy and John both spent a decade in Washington DC, John working first as an executive for IBM and later as part of an corporate task force, and Cissy working in the Office of Presidential Scheduling. She also worked in diplomatic programming for embassies in the city, helping foreign plenipotentiaries to learn about American culture and government. “It was fantastic,” she recounts. “We’d take ambassadors from all over the world to the ‘behind the scenes’ parts of our institutions like the Supreme Court, NASA or the Smithsonian.” During the George H.W. Bush Administration in the late 1980s and early 90s, John was asked by the the CEO of IBM to help form a task force on educational reform. President Bush thought that corporate America was not fully committing itself to the education of the next generation, and wanted them to do more. One idea that arose from the group was to run a national competition seeking models for K-12 reform. The winning entries were developed into models and launched nationwide. Many of those models are still in use today, including the Expeditionary Learning model utilized by area schools such as Animas and Durango High. In 1999, the couple decided to move to the southwest, and chose Durango not only for its beauty and lifestyle, but specifically because the community housed a strong college. “We wanted to have everything that colleges represent,” Cissy says. “We wanted the life of the mind, lifelong learning, and academic culture in our lives, and Fort Lewis really made that possible.” The couple’s daughter, Carrie, graduated from FLC in the early 90s with degrees in psychology and education, and so introduced her parents to the town and its charms. After arriving in Durango, Cissy and John immediately became active in the community, serving on many boards and volunteer organizations. focuses on local 1st generation scholars. “We read a fantastic series on poverty in the Durango Herald,” says Cissy. “The common thread of all the people profiled in the article was that they wished they had the opportunity to get an education. We thought that this was key to breaking the cycle of poverty, so we decided to set up a scholarship that would address this specific need.” With contributions to the fund from all members of the Anderson family, the endowment has so far funded the dreams of three local women, two of whom are single mothers in their 30s– adult students returning to school to improve their situation. When asked about the importance of FLC to the region, Cissy is unequivocal: “ Fort Lewis’ impact on our community is immense. Whether you look at the $150 million annual economic 60 Years benefit, the jobs, the amenities, or the culture, it’s so important that we all get out and support the school however we can- gifts are great, but just going to the games or theatre productions helps a lot. Fort Lewis gives so much to our town and it feels good to give some back.” Bill and Sue Hensler on Collection and Donations to FLC of Art Collecting Donors like the Andersons are the reason that the Fort Lewis Foundation can continue to provide students in need with the opportunity to forge their own futures. Bill and Sue Hensler We salute the Andersons for their generosity, foresight and accomplishments. Cissy and John Anderson photographed at the Community Concert Hall on the Fort Lewis College campus. B In 2011, the couple consulted with their children to create an endowment, The Anderson Family Scholarship, that specifically ill and Sue Hensler began their personal collection of art by Native artists in the early 1950s, and continue to collect today. With a lifelong passion for Native American and Inuit art, they travel to art fairs and artists’ markets, meeting with artists along the way. Over the years, they have become personal friends with nearly half of the artists represented in their collection. Above: In the mid 1960’s, painter R.C. Gorman created this portrait of Sue Hensler – a treasured piece of the couple’s vast collection of Native American artworks. Right: Bill & Sue Hensler in 2014 The Henslers have always purchased work that speaks to them, rather than following popular collecting trends. They support emerging artists by purchasing new works that catch their eye, making their collection unique and inclusive. They also compile as much information as they can gather about the artists represented in their collection. The Center of Southwest Studies at Fort Lewis College holds the Hensler Collection of Native American Art, as well as the Southwest Artist Files, which contain information on over 900 artists and related institutions. The collection is a treasure for the students, community members and visitors who frequent the Museum and the Delaney Research Library and Archives at the Center of Southwest Studies on the Fort Lewis Campus. In the video above, Bill and Sue sat down with CSWS Curator of Collections Jeanne Brako to talk about their long career in collecting Native American art, some advice for novice collectors, and a story or two about artist ^x