Collections Winter 2013 Volume 94 | Page 2

FROM THE EXECUTIVE Director Ways to Give Visitor excitement was in the air this fall at the CMA with our major exhibition, Mark Rothko: The Decisive Decade 1940-1950. We shed new light on a decade-long journey of this iconic artist with this exhibition, the publication of a scholarly catalogue that brought new insights, and engaging programs for all ages. Make a Lasting Impression We are so thankful for our generous supporters throughout the community! And, with the start of a new year, many of us haven’t yet looked at charitable contributions for 2013. Here are three ways your gift can make an impression: 1. Pledge to support the CMA in the first quarter. Our staff is more than happy to find a cause you believe in and want to support. Whether it’s chamber music, programming for disadvantaged children, or stimulating lectures and films, we have programs that inspire everyone. 2. Consider an appreciated stock gift. Did you know giving stock can be more beneficial than giving cash? Stock gifts allow for a full federal income tax charitable deduction for the appreciated value of the securities. Plus, no capital gains taxes are paid on the transaction. 3. Join the Legacy Society. This group of donors have made planned gifts to benefit the Museum’s permanent endowment long into the future. Please contact Lowndes Macdonald at 803.343.2172 to make your lasting impression! Front Cover: Pierre Auguste Renoir, French, 1841-1919, The Wave, 1882, oil on canvas. Collection of the Dixon Gallery and Gardens; Gift of Cornelia Ritchie and museum purchase in 1996. 2 columbiamuseum.org Karen Brosius Executive Director The catalogue was so popular with visitors in the Museum Shop that it had to be reordered within the first two weeks. Visitors came to be inspired by these stunning works and left with a renewed spirit. The public rarely sees Rothko’s work from the 1940s. The show often elicited visitor responses of utter surprise because it is so unlike the work for which the artist is justly famous. One visitor told us, “I needed this exhibit to understand Rothko on a much deeper level. I could stare for days as these paintings envelop me in color.” We unveiled a fun new experience for the exhibition with the TAP multimedia tour. Visitors simply “tapped” the screen of an iPod to immerse themselves in a thought-provoking experience with a rare interview with the artist’s son, Christopher Rothko. This educational tool encouraged visitors to linger longer and learn more in the galleries. A visitor from Mississippi told us, “I felt like I was getting a personal tour. The commentary from his son helps me gain a deeper understanding of what I’m looking at and why it is significant.” We were honored to welcome Christopher to the CMA in November. He shared such meaningful and heartfelt insight on his father’s work. Our visitors truly felt connected to the artist’s family and responded to his visit in a powerful way. Even our smallest visitors were inspired by Rothko’s work and spent countless hours on scavenger hunts, listening to stories in the gallery, mixing their own paints and learning about color theory in the studio. I am grateful to Earl A. Powell III, director of the National Gallery in Washington, whose institution lent our museum more Rothkos that it has ever lent before. And it is only through the generous support of community partners like First Citizens Bank, and committed members like Joyce Martin Hampton, Ron and Hannah Rogers, and Steve and Gail Morrison who gave leadership support, that we are able to bring exhibitions of this caliber to Columbia for a revelatory experience. Board Member Highlight Stephen G. Morrison If we surround ourselves with the best, most beautiful and truthful things humans create, our spirits are lifted, our community creates more, and we serve each other with honesty. My mentor, the late Claude Scarborough, was a leadership driver of the capital campaign for the Museum’s new Main Street home, putting our collection of the best things human beings create within reach of every citizen of Columbia. As Commissioner, I intend to further our mission of growing our funding base, strengthening our operations, enhancing the museum experience and engagement, and broadening our audience reach.