Collections Spring 2014 Volume 99 | Page 2

FROM THE EXECUTIVE Director Karen Brosius Executive Director This year, I am delighted to be celebrating 10 years as executive director of the Columbia Museum of Art, and what a remarkable time it has been. When I began in 2004, I instantly recognized that the CMA had a wonderful art collection of range and diversity. Building on that foundation, I envisioned the CMA as the cultural anchor of the burgeoning downtown, a catalyst for economic growth in our city, and a place for arts enrichment for people of all ages in the city and county. Attracting tens of thousands of visitors each year, the CMA’s ever-growing and dynamic educational programs and exhibitions also serve an economic purpose as an anchor of downtown revitalization. We are the diverse hub of arts, culture, and education in the community. It is the very essence of who we are as a civic institution that embodies the promise, opportunity, and greatness that is evolving in the region. Over the past 10 years, the CMA has experienced spectacular growth with audiences of diverse ages, incomes, and backgrounds. Our attendance and outreach have increased 450% to approximately 140,000 visitors and residents each year, and the membership has doubled to nearly 4,000. More than 100,000 students and children have been reached in just the last five years alone. We have presented groundbreaking exhibitions such as Mark Rothko: The Decisive Decade 1940-1950 (a nationally recognized exhibition organized by the CMA), brought iconic Impressionist works of art to our city and state in Turner to Cézanne: Masterpieces from the Davies Collection, National Museum Wales, and demonstrated our long-standing commitment to exhibiting work by African-American artists in The Chemistry of Color. The CMA has made its name as the premier international art museum in the state. We have continued to expand the Museum collection through purchases and generous donations that take us from our beginnings in the 1950s, with the incredible Kress gift of European art, to the recent, generous gift by Herbert and Dorothy Vogel of nearly 600 pieces. Our vibrant collection, combined with our exhibitions, present art from antiquity to contemporary and represents diverse cultures unlike any other museum in our state. During the past decade, you, the members, have invested in our becoming a great cultural institution offering accessibility, education, and opportunity. With your support, we have created bridges within the community to promote creativity and connection. From our relationship with Richland Library to the alliance with Riverbanks Zoo, the CMA has established amazing partnerships with organizations that have expanded our collaborations with the schools, universities, community, and regionally and nationally renowned museums. Columbia is a gold mine. Its wealth of intellectual life, entrepreneurial energy, history, and passion are a catalyst for change and growth. The CMA is a truly remarkable place because these same characteristics are corralled within all we do and given a place to thrive. The CMA is one of the state’s great cultural assets and continues to grow exponentially. Art inspires us to dream and grow, to remain fluid and temporal. While building on our solid collection, we always offer innovative, vibrant exhibitions and programs. As new opportunities arise, you will always find something new in the Columbia Museum of Art. Front cover: Tiger (after Landseer and Thiele), 2007, oil on canvas, 72 x 56 in. Columbia’s ambitions are to build a world-class city, and of course, with that goes the vision of a world-class art museum. In fact, I can’t think of a great city in America without a great art museum, and Columbia has a wonderful one. 2 Change is good. columbiamuseum.org