Collections Spring 2011 Volume 87 | Page 6

RECENT ACQUISITIONS Lorick Library Happenings The Lorick Library possesses a diverse and extensive collection of general art reference books, artist monographs, scholarly and popular arts journals, auction catalogues, and other related art reference materials. Exploring the Urban World Recently, the Library’s collection of auction catalogues grew by more than 2,500 titles, through a generous donation from Columbia College, facilitated by art professor Steve Nevitt. The acquisition includes catalogues from Christie’s and Sotheby’s in the disciplines of Old Master paintings, American and European paintings from the 18th and 19th centuries, American and European decorative arts from the 18th and 19th centuries, and other related fields. “The acquisition of these materials fills a significant gap in our holdings of auction catalogues from the 1970s to the early 1990s and will enhance our ability to conduct ongoing provenance research regarding works in our collection,” chief curator and curator of European art, Todd Herman said. Because the Lorick Library does not have a paid librarian, Paul Denman, a stalwart volunteer, capably handled the yeoman task of organizing the more than 40 boxes of catalogues—a process which required nearly 30 hours to accomplish! The Lorick Library is usually open to researchers on Wednesday afternoons (1-5) and by appointment. To schedule an appointment, please contact curatorial assistant Noelle Rice at 803.343.2156, or [email protected]. Paul Denman, a volunteer in the Lorick Library, organizes a recent donation of auction catalogues. 4 4 columbiamuseum.org columbiamuseum.org Lawrence Nelson Wilbur (American, 1897-1988). Locomotive Shop, New York Central, Albany, New York, 1946, oil on canvas. Gift of Mr. and Mrs. Bruce Lueck (CMA 2010.13) Brian J. Lang Curator of Decorative Arts By the turn of the 20th century, America had emerged as a global economic and political superpower and had come to be viewed as the land of opportunity. Immigrants created a rising middle class. In the years between the two World Wars, the United States also emerged as a leader in the international art community, with New York City eclipsing Paris as the center of the art world. Many expatriate artists returned to assist in establishing a vibrant American art community. While some would continue to depict the idealized natural landscape in a style in?uenced by French Impressionism, others created artworks that began to explore the gritty reality of the urban environment. Born in Whitman, Massachusetts, in 1897, Lawrence Nelson Wilbur was one such artist. Wilbur studied at the Massachusetts Normal Art School (Boston), the Otis Art Institute (Los Angeles), and the Grand Central Art School (New York). His work has appeared in numerous group exhibitions in museums and arts clubs in the United States and abroad. Wilbur is principally known for his vibrant and detailed engravings of streetscapes and other scenes of daily New York City life, his depictions of the docks and wharves along the Hudson River, as well as industrial scenes throughout New York State and the surrounding New England region. Locomotive Shop, New York Central, Albany, New York—with its darkened interior punctuated by the light thrown off by an arc welder’s torch—is undoubtedly one of Wilbur’s ?nest paintings and perfectly illustrates his ability to capture scenes of everyday industrial American life. A recent gift of Bruce and Susan Lueck, Locomotive Shop is a welcome addition to the museum’s Modern art collection and further strengthens our holdings related to the American Scene.