Bead Chat Magazine Spring 2015 | Page 54

from different cultures. That is so exiting and stimulating. It forces you to rethink your opinions and your view of the world.” “Nepal still is a magical place for me and using mala beads in my work brings back happy memories.” When I asked if there was any one place that stood out to her in her travels, she replied “Can I only choose one place? If so, then it has to be Nepal, for a variety of reasons. Our idea of traveling started there. We were on our honeymoon in Nepal, walking the Annapurna trail (yup, not your ordinary honeymoon destination) when we saw a truck parked in a place with German license plates. Before that, it never crossed our minds that it is possible to just simply drive to Nepal. So we promised ourselves that one day we would try that. And we did. We spend approximately 5 months in Nepal. The atmosphere is wonderful. I loved the temples, the people, meeting with other travelers, browsing the markets and seeing the Nepali and Tibetan jewelry, clothes etc. I developed my love for beads, colors, fabric and ethnic styles there. Nepal still is a magical place for me and using mala beads in my work brings back happy memories.” Janine has a whole collection of inspirational places, cultures and styles that influence her work. Some of her favorites that she draws from she says, “I love the embroidered clothes as well as the wall hangings I saw in Pakistan, India and Nepal. In Dubai I came across the book The Art of Bead Embroidery by Heidi Kummli and Sherry Serafini. And I fell in love. Whenever my mind is too chaotic or if I have a designer block, I turn back to bead embroidery.” But that chaotic mind, as she calls it also feeds her creativity. “My creative mind works very chaotically, influenced by all we have seen and experienced during our travels; the colors, the textures, the clothes and jewelry people wear. Different ideas are ping-ponging through my head all day. And I would like to do all at the same time, which obviously is impossible. I think that is why I create various styles and use a great variety of materials. But recently I am increasingly starting to make less obvious combinations, especially using ethnic, tribal beads. I like combining mala beads from Nepal with trade beads from Africa with art beads and pe \