African Design Magazine October 2014 | Page 96

Artist profile: When Nigerian artist Chinwe Uwatse puts paint to canvas, she recreates an ancient tradition of local women in modern form. Give us a short background on yourself. I was born Cynthia Chinwe Ntephe, fifty four years ago, in Port-Harcourt, Rivers State, Nigeria. I am the second of four children and an only daughter. Did you always want to be an artist? I did not really set out to become an artist. Art was my second career choice; in my teens I wanted to study Veterinary Medicine. However, in the 1970’s one had to excel in all the science subjects to be admitted into the study of Veterinary Medicine, and unfortunately, at the age sixteen, I was a total dunce in Physics and did not make the grade; that put paid to any chance of me becoming a veterinarian. How then did your journey to be becoming an artist begin? I cannot really say that my journey to becoming an artist ‘began’ at any particular time. As far back as I can remember, I have always loved to draw and paint. As a child, I was quite creative, but it did not readily occur to me that art would be my career. This came from a series of events. The first time I took the O Level examinations at the 96 africandesignmagazine.com age of sixteen, I did not make the required grades to go to university. My parents were disappointed, but they made me re-register, this time, with realistic goals. I had to review my choice of subjects. As I had failed Physics, I decided to take up art for which I knew I had the talent. While preparing for the O Level examinations, we were taught about contemporary Nigerian artists. Apart from Ben Enwonwu, who was a relative, I had not really known about other Nigerian artists. I was fascinated. The thought of art as a career, the more I thought about it, the more scary and exciting it became. I had a sense of being about to embark on a psychedelic journey without the aid of mind bending narcotics. My life and attitudes were switching from a yen to save animals to consciously and subconsciously appealing to emotions. I then, slowly, embarked on an ever expanding journey of using lines and colour to create artistic themes that, hopefully, cause a psychological and emotional reaction in my audience. Which artists, African and abroad, have inspired your work?