Collections Winter 2014 Volume 98 | Page 6

MEET THE COLLECTOR Seeing Stories of the Past through Porcelain magnifying glass to look at them. The Meiji Magic: Imperial Porcelain from Japan Gallery 15 exhibition, being shown concurrently with Japan and the Jazz Age, is from the collection of Alex and Barbara Kasten of Hilton Head. The nearly 30 porcelains in the exhibition reflect the Japanese artistic renaissance, which flowered during the Meiji period (1868–1912). Recently, Alex Kasten spoke with us about his life as a collector and the importance of Meiji art. Kasten: As a collector, it began with fine art paintings, watercolors, and oils, etc. and my wife and I fixated on that at a very early age. With exploring the publications and discussions throughout museums and showrooms, it all started to come together. One interest led down to where the road split a bit and as Robert Frost said, I came to a road at an early age and decided to take the one that was in need of wear. That made all the difference. CMA: How did you become a collector? CMA: What should our visitors look for to truly appreciate the pieces in Meiji Magic? Kasten: When I was very young I lived in New York City and had access to the great museums, like the Metropolitan. One of the things that always fascinated me about the Met was their collection of porcelains. There is a great area in that museum with a range of Japanese to Korean to Chinese porcelains and for some reason that resonated with me. And, of course, there was always an ember burning in me that was fanned by my exposure to what is called Meiji art through the offices and showrooms in New York City of Asian art dealers. CMA: Why did you decide to collect Meiji art? 4 columbiamuseum.org Kasten: I have found many times where upon re-examining a painting I see an entirely new perspective—literally a “painting within a painting.” Take the time to look and study what you see here in this collection. This collection is a narrative persuasion of Japanese life during the Edo period (1603–1867). The magic of the Meiji is that every ceremony, every holiday, things as simplistic and ingrained in Japanese lore as the tea ceremony, is here on these pieces in fine graphic detail. Each scene is a story unto its own. Each piece will have four to 10 narrative scenes on it and sometimes you have to take a I would like to take you through this exhibition and answer any questions you have, but the reality is you can answer your own questions. Looking closely at the art, seeing things you wouldn’t ordinarily see, will give you knowledge and appreciation of what someone who lived 150 years ago laid down in a time, in history, in a culture, in a country that was closed off from the world. You can see the answers there. And that’s what this art today brings to the world. The average person spends four seconds looking at each painting in a gallery. As, the old saying goes, “stop to smell the roses.” Kasten will discuss his collection on Wednesday, January 22, during Out of the Vault - A Conversation with the Collector, for Taylor Society members and above. Morihiko Nakahara will host the conversation. For more information or to join the Taylor Society, call Lowndes Macdonald at 803.343.2172. This exhibition is supported through contributions from Ms. Walda Wildman, CPA.