Collections Winter 2011 Volume 86 | Page 5

life. Especially poignant is Judy Linn’s black-and-white photograph of a young Patti Smith relaxing on a sofa bed in the messy apartment she shared with the photographer Robert Mapplethorpe in the early 1970s, before either became famous. The exhibition is divided into six sections: rare and revealing images taken behind the scenes; tender snapshots of young musicians at the beginnings of their careers; exhilarating photographs of live performances that display the energy, passion, style, and sex appeal of the band on stage; powerful images of the crowds and fans that are often evocative of historic paintings; portraits revealing the soul and creativity, rather than the surface and celebrity, of the musicians; and conceptual images and album covers highlighting the collaborative efforts between the image makers and the musicians. Amidst the silent and still images are ?lms and videos which capture both the energy of performance and the changing vehicles for rock and roll. Who Shot Rock & Roll is enjoyable from multiple vantage points: as pure nostalgia and as an examination of the symbiotic relationship between photography and music to de?ne the rebellion of rock and roll. But if we look even deeper, these photographs can also bring to light meanings and metaphors that we have come to take for granted in the cult of rock: hero worship, sexual aggression, gender role-playing, youthful rebellion and the development of our fascination with “image.” I am reminded of the very ?rst music video played on MTV, “Video Killed the Radio Star” by The Buggles (don’t worry if you’ve never heard of them) and how critical the relationship has become between image and music (a great video—and a pretty face—can turn a mediocre song into an overnight smash hit). The majority of the photographs in this exhibition celebrate the “fringeness” or counter-culture nature of rock musicians and one is left to ponder how some of these early icons and trailblazers would fair in today’s world of American Idol and an image-conscious, globalized music scene. Presenting Sponsors Dr. Suzan D. Boyd & Mr. M. Edward Sellers Dr. and Mrs. Ronald C. Rogers columbiamuseum.org m org g 3