Collections Jan/Feb 2010 Volume 81 | Page 2

from the executive DIRECTOR Visit columbiamuseum.org Karen Brosius Major Exhibitions Ansel Adams: Masterworks October 23, 2009 – January 17, 2010 The Chemistry of Color: Contemporary African-American Artists February 5 – May 9, 2010 Gallery Installations Larry Clark: Tulsa On view in the Mamie and Andrew Treadway, Jr. Gallery 15 October 14, 2009 - February 7, 2010 From Behind the Lens On view in the Wachovia Education Gallery and the David Wallace Robinson, Jr. Community Gallery October 23, 2009 – January 17, 2010 The Art of Healing On view in the Wachovia Education Gallery January 27 – February 28, 2010 Skate and Create On view in the David Wallace Robinson, Jr. Community Gallery January 27 – March 21, 2010 Color Vision: African American Masters from the Collection On view in the Mamie and Andrew Treadway, Jr. Gallery 15 February 17 – May 30, 2010 Upcoming Major Exhibitions The Birth of Romulus and Remus, detail Brussels, Workshop of Frans Geubels c. 1560, 161 in. x140 in. wool, silk, silver, and gold, designer and cartoon painter not known Kunsthistorisc hes Museum, Vienna Imperial Splendor: Renaissance Tapestries from Vienna May 21 – September 19, 2010 WAYNE HIGBY (b. 1943) American Landscape Bowl, circa 1980 stoneware Gift of Mr. and Mrs. George F. Wick Innovation and Change: Great Ceramics from the Ceramics Research Center May 28 – September 5, 2010 Cover image: The Chemistry of Color: Contemporary African-American Artists Faith Ringgold, (b. 1930), American Tar Beach #2, detail, 1990 Silkscreen on silk with pieced printed cotton, 65 3/4 x 65 1/4” Pennsylvania Academy of the Fine Arts, The Chemistry of Color: The Harold A. and Ann R. Sorgenti Collection of Contemporary African-American Art During the month of February as the nation celebrates Black History Month, the Museum holds its own celebration – an exuberant exhibition to inaugurate our 60th anniversary year of being open to the public titled The Chemistry of Color: Contemporary African-American Artists. We are excited to host this exhibition as it is one of the most significant exhibitions of African-American art the Museum has ever shown and certainly one of the most extensive to be seen in South Carolina in recent memory. The new year brings a promise of hope – and with that the Museum has three important and hopeful goals with The Chemistry of Color. We are striving to increase African-American participation in the Museum, introduce and expose African-American art to a wider population, and demonstrate the diversity of American art. There is certainly no better time to celebrate these goals than during our 60th anniversary year of being open to the public and Black History Month. The Museum has a long and sustained commitment to collecting and exhibiting African-American art and African cultural heritage. The Museum’s collection currently holds 252 individual pieces of art by 32 African-American artists. Nationally prominent artists in the collection include Romare Bearden, Betye Saar, Sam Gilliam and Elizabeth Catlett to name a few – many of whom are featured in The Chemistry of Color. Since 1972, the Museum has presented 28 exhibitions over the last 38 years by African-American and/or African artists. These exhibitions have been a valuable and meaningful resource in sharing important work with the public and in partnering with the African-American community in Columbia. The Museum’s commitment to African-American heritage does not end here. In fact, we have held over 80 public programs – including lectures, concerts, classes, gallery tours and the like – that have focused on themes that celebrate the remarkable cultural contributions of African-Americans. The Museum regularly hosts programs year-round that are of interest to the African-American community, and our attendance is continuing to grow. In celebration of The Chemistry of Color, we are presenting at least seven programs, such as a performance by the new SC Contemporary Dance Company and the highly anticipated return of the Ron McCurdy Quartet, during the run of show, plus weekly public guided tours of the exhibition. The Chemistry of Color is a celebration of these African-American artists’ contributions to the development of American art, an opportunity for Columbia’s visitors to see such an extensive array of 41 artists in one place, and a commemoration of the Museum’s 60-year dedication to the diversity of art. A tremendous thank-you goes to the exhibition’s presenting sponsors BB&T, SCE&G and an anonymous donor for allowing us to share this captivating exhibition with the community. Proud supporter of the Columbia Museum of Art Image above: Moe A. Brooker, (born 1940), American, Spontaneous Accord, 1991, Pastel, oil pastel and crayon on paper, 41 “ x 29 7/16”